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At the end of Euripides' remarkable view of what it is to be a woman and a woman of power in a man's society, Medea leaves a day of horror, somewhat
repentent, but unpunished. This stunning climax has stuck in the craw of Western society, particularly Judaic-Christian society for over 2500 years. The result has been thousands of self-redeeming, self-righteous performances
and scholarly critiques that relieve themselves with the conclusive portrait of a witch, an evil woman, the nightmare that echoes under the marriage bed.
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